“Paper, Glue, & Grit” Zine Workshop, Pinterest, N.Y.

Woman& is Pinterest’s 8th annual conference hosted by Women@. 2026 year’s theme, Unbreakable, was about what it actually looked like to navigate pressure, change, and ambition in real life, and learning to bend without breaking. Across San Francisco, New York, Dublin, and the virtual platform, attendees heard candid stories, joined skills-based workshops, and took part in creative experiences that turned breakage and repair into new forms of strength. Paper, Glue and Grit was a playful, reflective zine-making workshop where participants turned scraps of paper and fragments of story into a tiny, handmade book. Using simple prompts around cracks, repairs, and the moments that shaped them, Angela guided participants through creating their own “unbreakable” zine; part art, part journal, all theirs to keep as a reminder of their story, their strength, and their voice.

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Sawtooth Luminaries Weekend, Visiting Artist. Sawtooth School of Visual Arts, N.C.

In this workshop, students learned printmaking techniques to create unique prints using monotype and transfer processes. Making images on plexiglass plates with water-soluble crayons and watercolor, then transferred them to paper using a press, along with layering techniques through Xerox transfers. (Photos by Robert Grand.)

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Metropolitan Museum of Art, Printmaking, Teen Program, NYC.

Teens explored how artists transform found images into personal artworks in a printmaking and mixed media workshop inspired by Lorna Simpson: Source Notes at The Metropolitan Museum of Art. They reimagined everyday visuals, like vintage magazines and digital archives through collage, printmaking, and storytelling. After visiting the exhibition, they created layered pieces that expressed identity, memory, and imagination. (Photos by Filip Wolak)

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Zine-Making Workshop at Parsons, The New School
Presented in partnership with ReMemory Directory and AIGA NYC.

An immersive zine-making workshop at Parsons, The New School. This hands-on session invited participants to explore personal narrative, collective memory, and experimental printmaking through the creation of their own zines.

Attendees engaged with guided prompts and demonstrations to translate their stories and ideas into visual narratives. They experimented with layout, layering, and analog processes, producing unique zines that reflected their individual voices.

Supported by Mohawk Paper, materials were provided for participants to fully dive into the DIY publishing process. The workshop welcomed all skill levels and offered a creative space to develop new skills, find inspiration, and complete a finished piece to take home.

A woman giving a presentation to a group of people in a classroom or conference room with wooden walls, a projector screen, and tables with supplies.
Group of people seated at a table working on a craft project, surrounded by papers, gloves, and tools in a room with wood-paneled walls.
A person wearing blue gloves holding a card with an old, faded photo of a woman sitting in a wooden rocking chair, holding an object, with bottles and plants in the background.
A woman in a beige patterned outfit arranging materials on a table, including scissors, paper, gloves, and other craft supplies.
A woman with long braided hair and a graphic t-shirt standing by a table with blue gloves and small objects in a room with a large projected image of a woman's face on the wall behind her.
Open passport with old, faded stamps and a photo of a woman, held by a person wearing blue gloves.
Two women standing in a conference room with a large projected image of a woman's face on the wall behind them. The room has wooden walls and tables with blue gloves and lab materials on them.
A person wearing a glove holding a piece of torn plastic or film with printed text, with someone else in the background, on a table with a cutting mat.
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Person wearing blue gloves handling a printed photographic image of a woman with dark hair, wearing a sleeveless top, with other people sitting at tables in the background.

Peters Valley School of Craft, Printmaking, NJ.

As part of the programming at Peters Valley School of Craft, each instructor was invited to share the background of their artistic practice. These introductions offered students and staff a chance to learn more about the instructors’ creative journeys, influences, and approaches to craft.

By sharing personal stories, past projects, and insights into their mediums, instructors helped foster a sense of connection and community within the workshop environment. This time of introduction not only set the tone for collaborative learning but also highlighted the diverse experiences and perspectives that shape contemporary craft education.

A woman in a pink dress giving a presentation outdoors, with a laptop, microphone, and a projection screen showing slides, set against lush green trees in the background.
People attending an outdoor presentation in a wooden pavilion surrounded by trees.